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My fascination with interiors goes back further than any of my projects — to a childhood spent redrawing, over and over, the plans of the house my parents built outside Johannesburg. I must have gone through the paper of a small forest before I was ten.
That instinct never left. Today it shows up as a simple belief: a well-designed interior shouldn't announce the decade it was decorated in, or read like a single, recognisable look copied straight from a showroom. The truest spaces are a considered mix — different eras and influences brought together with a steady hand, so the result feels functional, timeless, and naturally beautiful rather than staged.
I'm not a trained architect, but I have a strong sense of vision — the ability to look at a space and see clearly what it could become. My work is almost always renovation, not new-build. And my taste is understated and modest rather than showy; "bling" has never been my thing.
I spent several years running a wholesale and retail business importing contemporary Southern African interior design to Europe. Having since closed that chapter, I focus on individual projects, advising homeowners and commercial properties on interior design.
My projects span Europe and Southern Africa, though my sense of design and history is rooted most deeply in South Africa and Germany. Recent work has included resurrecting a 300-year-old mill in the South African countryside as a guest house, converting a century-old commercial building in Cape Town into a loft for designers, and turning a farmyard's old horse stables in Berlin into office space.
Whether for homeowners, guests, or commercial spaces, the goal is always the same: interiors that feel considered and comfortable — never dated, never staged.
